Journal Issue
Wit, Humour and the Carnivalesque in Literature and Performance
Volume 10 • 2024
ISSN: 2395-1206
Editor-in-Chief:
M. Asaduddin
Editor:
Amitendu Bhattacharya
Editorial Board
- Swati Pal
- Fatima Rizvi
- Kalyanee Rajan
- M. Shobha
- Priyanka Tripathi
- Debarshree Dattaray
- Dhurjjati Sarma
Publisher
Pencraft International
B-1/41, Ashok Vihar II
Delhi-110052
Phones: 9810453841, 9910664817
E-mail: pencraftjain@gmail.com
Contents
- Editorial — Amitendu Bhattacharya
- Rabelaisian Renaissance: Gender Dynamics in Gargantua and Pantagruel — Kalplata
- Unveiling the Carnivalesque Masquerade in Aphra Behn’s The Rover — Sukriti Bhukkal
- In Connect, Disconnect: Wit and Humour in the ‘Adda’ — Ipsita Sengupta
- Mir-Dickens Analogy and the Latifas in Zikr-i-Mir — Mohd Aqib
- Wit and Humour in Samuel Beckett and Nabarun Bhattacharya — Swatee Sinha
- Colloquialisms and Humour in Tarasankar Bandyopadhyay — Sohini Gayen & Arnapurna Rath
- Humour, Carnivalesque and Counter-Memory — Srestha Bhattacharya
- Madness, Humour, and Trauma in Em and the Big Hoom — Deepanwita Dey
- The Comic Mode in Jack Davis’s Plays — Aleena Manoharan
- Public Laughter in Milan Kundera’s The Book of Laughter and Forgetting — Sabreen Ahmed
- Comedy and Crisis in The Seven Moons of Maali Almeida — Yashvi Srivastava
- The Cult of Baul in Contemporary Times — Sanjukta Naskar
- Humour in Marriage Folk Songs of Bundelkhand — Anshika Niranjan
- Carnivalesque in Kumaoni Holi — Meghal Karki
- The Humour of the Absurd in Roy Andersson’s ‘Living Trilogy’ — Amandeep Kaur & Jagvir Singh
- The Carnivalesque of Queer Historicity — Asmita Kundu
- Andaaz Apna Apna and the Misogynist Joke — Ishita Gautam
- Goan Rhapsody: Carnival and Humour in Films Set in Goa — Maziah Shaaz
- Wit and Humour in Amul Advertisements — Neenu Kumar
- #maidturnedcomedian: Deepika Mhatre’s Stand-up Comedy — Tara Sonali Saldanha
- Book Review — Kamayani Kumar
- List of Contributors